Thursday 17th February 2011 – ‘Romantic Rebellion’ and Improvisation.

To follow on with the independent film theme, this week I have posted a film made by James Devereaux.  ’Romantic Rebellion’ is an early example of his work, as well as mine.  My contribution came from a chat we once had about my interests in improvisation.  Although the acting wasn’t improvised, the kind of feel you get form such music was something he was interested in.

As I have talked about before, I have an interest in improvisation.  This isnt to say that I’m a jazz musician or even an aspiring jazz musician but it’s relevance to me is what it can offer music, and my music in particular.  Once you have  shaken off the shackles of popular influence you are less constrained by what other people have done before you and therefore you are also more likely to bring up some sounds that are interesting and more likely to be unique.  There are schools of thought that believe this to be impossible but trying really can make things interesting…  Also, the use of improvisation to make music really adds some realism to the finished product.  As I have talked about before here, trying to shake off your preconceptions will make your music sound more viable in the context it is used in.

Despite all this, for ‘Romantic Rebellion’  I did not use the film as my starting point.  As explained in the link of the previous sentence my current audio-visual work is exploring this contextual factor more.  For this film, James wanted something that only had my current thought and moment as influence.  We thought this would enhance the  chaotic feel to the film as well as add another dimension to it that the film-maker had not previously accounted for.  This was hard as everything musical that has gone on before influences what you are currently playing but I tried to leave chords and their associated theory behind and worked on only letting current emotion out.  The recordings I made for James were both about an hour long (one using electric guitar and one using acoustic guitar) and after a few minutes of playing I found that my current emotions were being influenced by the sounds/music itself, creating a sort of feedback loop where the previous guitar sound would influence my emotion which would influence the next guitar sound.  I found this interesting as it added another dimension to what I was playing as well as giving me food for thought…

As you will see, James did not need two hours-worth of sounds but I gave him something that he could apply in his own way through choice of what to use.  The result works with what’s going on on-screen but also throws up questions and distorted atmosphere.  As in the films I wrote about in last week’s post, the marriage of sound and vision created something that is more than just sound and vision combined.

You may think that all this is pretty pointless and just an exercise in being ‘artistically’ weird for the sake of it.  Beyond the need for these kinds of sounds in the film, at face value this all seems a little pointless.  Who cares if you can be weird..??  As you may have read in last week’s post, art for the sake of being weird does not really interest me, in fact I find it quite distasteful…  But what you may also know if you have been reading my posts is that I am interested in creating different types of atmosphere.  The aforementioned improvisational technique produces a very raw atmosphere; it channels more directly towards the sound-maker’s current feelings.  I am always refining these ideas and in particular will be using a watered-down version in future Lunar Rising songs through the use of electric guitar and the sounds it can make.  My interest there is to not play chords/notes that interact with the rest of the music but to make sounds that interact more with the atmosphere.  Of course, the songs need to be radio friendly so I’ll still be using acoustic guitar, as well as using both in a more ‘conventional’ way depending on the need of the song!  And, I wont be the first to use the electric guitar in such a manner either (it is very widespread)  but I will be the first that uses the songs I have combined with my own previous musical experiences combined with how the individual song moves me…  And this will all be just a part of my musical development:  Depending on how these ideas turn out, more questions and ideas may be thrown up into the air or I may even settle upon something which I see as the ultimate way to express myself (although this sounds very unlikely!).

In any case, below, you can watch ‘Romantic Rebellion’.  Please do find some time to check out what James is up to by checking out his blog here.  It focusses on acting so may not be 100% relevant to your own interests but what I have found is that many of the concepts he talks about are readily changeable to any other medium/artform, or even life itself!


Fast Tube by Casper

Tuesday 7th September – Music with picture and it’s combined perception

So, I have previously mentioned a project that I’m involved in with the photographer Lesley Flower (I’ll tell you about her website when it’s ready – should be soon!).  As her background is in artistic photography, I originally asked her if she would be interested in a collaboration where we look into the relationship of sound and vision (namely still pictures).


My initial idea was to improvise to pictures with different guitar sounds and synths to produce different moods.  This could then be ‘displayed’ with the picture using headphones; both elements combining to produce one exhibit.  From my musical viewpoint, my playing would be an immediate reaction to the picture and when displayed together, the audio and visual ideas from both of us would combine to create an enhanced experience that neither photograph or music could produce on their own.

A few months later Lesley presented me with a photograph she had taken near her home in Reigate (yeah she’s a busy woman!):  a picture very characteristic of her style (an example of previous work can be seen here).  This weekend, I sat down for my first experiment with this picture having a fairly solid idea of what the output might be as the mood of the picture is pretty obvious…..  but something strange happened…  My playing, rather than being a transparent interpretation of the picture, actually started to influence how I saw the photograph.  I started to see the picture in a whole new light and something totally new crept out from the print rather like an unexpected extra in some kind of zombie film!  This made me think along the lines of how music is used in film – to influence emotion to the will of the film-maker.  I started to wonder how I could distort the perception of a still image using sound.  With Lesley’s photograph, I had managed to turn a calming and serene picture into something quite disturbing.  Listening whilst looking at the picture made me feel on edge, and it also did the same to her.  The picture definitely did not warrant this!


This was all very interesting and the effect was akin to staring at one of those magic eye posters and gradually seeing a sailboat or something emerge from the pattern.  However, I was gently reminded that art needs a conceptual focus and by making this music I had changed our original focus from enhancing the overall experience to morphing the experience into something completely different…


I wondered how I let this happen but after some thought it came to me….  Playing an instrument and improvising does not just pluck music out of the air… it is a cumulative effort of experience, technical and theoretical ability, as well as immediate stimuli.  You could say that improvisation if seen as something totally made-up  is actually impossible in a similar way to the practice of true objectivity.  And in not taking this into account, I let my previous experiences with music get in the way of what the picture was actually saying…


For now,  we will continue on our previous path of enhancing the overall experience and let this little blip in the creative process hang around for a different project….