Thursday 17th February 2011 – ‘Romantic Rebellion’ and Improvisation.

To follow on with the independent film theme, this week I have posted a film made by James Devereaux.  ’Romantic Rebellion’ is an early example of his work, as well as mine.  My contribution came from a chat we once had about my interests in improvisation.  Although the acting wasn’t improvised, the kind of feel you get form such music was something he was interested in.

As I have talked about before, I have an interest in improvisation.  This isnt to say that I’m a jazz musician or even an aspiring jazz musician but it’s relevance to me is what it can offer music, and my music in particular.  Once you have  shaken off the shackles of popular influence you are less constrained by what other people have done before you and therefore you are also more likely to bring up some sounds that are interesting and more likely to be unique.  There are schools of thought that believe this to be impossible but trying really can make things interesting…  Also, the use of improvisation to make music really adds some realism to the finished product.  As I have talked about before here, trying to shake off your preconceptions will make your music sound more viable in the context it is used in.

Despite all this, for ‘Romantic Rebellion’  I did not use the film as my starting point.  As explained in the link of the previous sentence my current audio-visual work is exploring this contextual factor more.  For this film, James wanted something that only had my current thought and moment as influence.  We thought this would enhance the  chaotic feel to the film as well as add another dimension to it that the film-maker had not previously accounted for.  This was hard as everything musical that has gone on before influences what you are currently playing but I tried to leave chords and their associated theory behind and worked on only letting current emotion out.  The recordings I made for James were both about an hour long (one using electric guitar and one using acoustic guitar) and after a few minutes of playing I found that my current emotions were being influenced by the sounds/music itself, creating a sort of feedback loop where the previous guitar sound would influence my emotion which would influence the next guitar sound.  I found this interesting as it added another dimension to what I was playing as well as giving me food for thought…

As you will see, James did not need two hours-worth of sounds but I gave him something that he could apply in his own way through choice of what to use.  The result works with what’s going on on-screen but also throws up questions and distorted atmosphere.  As in the films I wrote about in last week’s post, the marriage of sound and vision created something that is more than just sound and vision combined.

You may think that all this is pretty pointless and just an exercise in being ‘artistically’ weird for the sake of it.  Beyond the need for these kinds of sounds in the film, at face value this all seems a little pointless.  Who cares if you can be weird..??  As you may have read in last week’s post, art for the sake of being weird does not really interest me, in fact I find it quite distasteful…  But what you may also know if you have been reading my posts is that I am interested in creating different types of atmosphere.  The aforementioned improvisational technique produces a very raw atmosphere; it channels more directly towards the sound-maker’s current feelings.  I am always refining these ideas and in particular will be using a watered-down version in future Lunar Rising songs through the use of electric guitar and the sounds it can make.  My interest there is to not play chords/notes that interact with the rest of the music but to make sounds that interact more with the atmosphere.  Of course, the songs need to be radio friendly so I’ll still be using acoustic guitar, as well as using both in a more ‘conventional’ way depending on the need of the song!  And, I wont be the first to use the electric guitar in such a manner either (it is very widespread)  but I will be the first that uses the songs I have combined with my own previous musical experiences combined with how the individual song moves me…  And this will all be just a part of my musical development:  Depending on how these ideas turn out, more questions and ideas may be thrown up into the air or I may even settle upon something which I see as the ultimate way to express myself (although this sounds very unlikely!).

In any case, below, you can watch ‘Romantic Rebellion’.  Please do find some time to check out what James is up to by checking out his blog here.  It focusses on acting so may not be 100% relevant to your own interests but what I have found is that many of the concepts he talks about are readily changeable to any other medium/artform, or even life itself!


Fast Tube by Casper

Thursday 10th February 2011 – (An)Other Irish Cinema

Last week, I attended a short-film event put on by James Devereaux for his Drifting Clouds Cinema Group.  We had orginally talked about Lunar Rising playing an acoustic set at the event but unfortunately the bar hosting it doesn’t yet have a  live music license.

Anyway, the event hosted a film-making trio that go by the name of (An)Other Irish Cinema.  As I have talked about before, for the fringe arts to survive it is necessary to collaborate and combine numbers and strength, and this formed the basis of the trio getting together.  In their own words:   ”(Donal) Foreman, (Rouzbeh) Rashidi and (Maximilian) Le Cain formed as a platform for joint screenings, to showcase their work and, in so doing, to propose the possibility of an/other filmmaking culture in Ireland”

I am no film critic and do not pretend to have any knowledge about film, the proceses used or issues that film-makers care about.  I do, however, like film.  All the way from cheesy blockbusters to the deeply strange.  Each film interests me in a different way and offers something, from gaining a few cheap laughs to something really profoundly effecting me.  So, yeah, this isnt meant as a film review (I probably wont even mention film titles) but it is an explanation of what I took from the films in light of my interest in combining and gaining influence from seemingly unrelated walks of life.

From what James had told me, I was aware that the films being shown were avant garde.  I’m not a fan of art that is elitist, or art that is so abstract you need a degree in art history to understand it so it may come as a bit of a surprise that I really enjoyed what was on show.  As the trio of film-makers hinted in a ‘question-and-answer’ session afterward, the films weren’t designed to wrap up an idea in such a deep cloak of mystery that it will never be understood. Indeed, there may be nothing to actually understand.  The works were based around the moment in which they were filmed and took influence from everything going on at the time of filming/editing.  You could even say that the films are a film version of Jazz….  What results is a feast for the senses; The films effected me visually, and most crucially to me, aurally.  The mix of these two mediums in the way presented, rather than being a narrative as such created an atmosphere that immersed me in something I had never experiecned before and also got my grey cells working.  The great thing about such film is that every one takes you on a journey you have never expereicend before.  In contrast, love stories etc take you on the same journey over and over again (which I think has it’s rightful place).

As some of you will know, the main focus of my musical interest is atmopshere.  With Lunar Rising, very much like my bandmates I think, I aim my input to work towards an all-encompassing experience that will hold you for a duration of time and tell you a story without actually telling you anything;  A sense of journey in emotion and immersive sound.  Whether or not I ever achieve this is down to the listener of course!  The lyrics do add a tale but combined with the ambiguity of the musical journey, I find the desired effect is intensified.  With Henry Spencer Project, I aim to create a more physical atmosphere that picks up the listener in rhythmic movement.  With the audio/visual project I am undertaking with Lesley Flower, we aim to make each aspect (audio and visual) mutually bolster the other to create an atmosphere that is intensified by their partnership.

It therefore follows that the main interest I took away from seeing these short-films are the atmospheres they created, how they did this plus how I might translate such ideas using the tools and knowledge available into my own work.

The use of space was very interesting.  Open spaces were used but sounds were intense and right in your face.  Visions of natural surroundings were used with heightened, intensified natural sounds.  The distortion of sounds lent fairly normal images more depth and an altered sense of perception.  Emotive sounds were used that worked in tandem with or against various images.  Lots of contrast and lots harmony in so many different ways.  Maybe I can use ‘normal’ sounds and songs but use anything I like to contrast or harmonise them aesthetically or theoretically with sound and/or image (or using any other of the senses for that matter…).

Also, I have been developing an interest in the sounds around us in our every day lives and how I can merge these to create something that is even more personal to me than the music I write/sounds I create.  To my mind it follows that combining my instrumental self-expression with sounds that I am personally immersed in intensifies my own stamp.  Therefore, the use of everday sounds (or ‘found sounds’) in the work of the films I saw really stood out and, for me, really made the experience complete in a practical sense once combined with my aforementioned thoughts.

Please do take the time to check out the film-maker’s and group’s links at the beginning of the article.  Keep an open mind and expect something more than a film; indeed something very different.  You wont regret it!  If you are unfamiliar with my work then it would be great if you found time to check out the links to Lunar Rising and Henry Spencer Project.  As always, I really am very grateful for any kind of feedback you can offer at all!

Jay